Wednesday, January 5, 2011

Making Money Secrets



Fulfilling their constitutional power to “determine the Rules of its Proceedings,” this Wednesday, January 5, 2010, the newly assembled House of Representatives will adopt the Rules of the House for the 112th Congress. Speaker-designate John Boehner has proposed a series of changes to the House rules designed to make the House more transparent and help eliminate unnecessary Federal spending. The Top Five New Rules include:



  1. The new rules require a member of the House who wishes to introduce a bill to submit for publication in the Congressional Record a statement of what powers the Constitution grants to Congress to enact that bill. For bills that come over to the House from the Senate, the chairman of the House committee of jurisdiction will submit such a statement. The provision will assist Members of the House in making sure that they carry out the oath every one of them takes to support and defend the Constitution.

  2. The new rules contain a “Cut-As-You-Go” provision that prohibits House consideration of a bill that has the net effect of increasing mandatory spending within the one-year, five-year, and ten-year budget windows. If a bill increases mandatory spending by an amount, the bill must elsewhere cut other spending by at least the same amount. The new rules also eliminate special protection for transportation spending.

  3. The new rules expand requirements that legislation be available in advance before the House or its committees act on it. The chair of a committee must make the text of a measure being marked up publicly available at least one day before a committee markup meeting and a bill must be publicly available at least three days before the House votes on it. The requirement for advance availability prior to votes ensures that Members of the House and the public have an opportunity to read the legislation before the House or its committees vote on the legislation.

  4. The new rules make more information about House proceedings available to the public, and in readily accessible electronic form. For example, the chair of a committee must make the texts of any amendment to a bill adopted at a committee markup available within 24 hours. Each committee must provide audio and video coverage or recordings of committee hearings, to the maximum extent practicable (excluding, for example, hearings involving national security secrets).

  5. The new rules eliminate the vote-avoidance mechanism by which the House was automatically deemed to have approved a bill to increase the Federal debt, whenever the Congress adopted a budget resolution for spending that would have exceeded the existing debt limit, without House Members actually having to vote on whether to raise the debt limit. Now, if House Members want to consider whether to allow the Government to borrow more money, they will have to vote for or against it and not avoid the issue.


On November 3, 2010, immediately following the national elections, The Heritage Foundation issued “The Checklist” of actions of overriding importance, representing the bare minimum required for Washington to fulfill its electoral mandate, meet its constitutional responsibilities, and get America started on the right track. Among other things, the Checklist called on Congress to get control of Government by reestablishing legislative accountability. In particular, the Foundation called for Congress to change its rules to make the text of legislation public at least three days before Congress considers the legislation. The above rules meet, for the House, that bare minimum requirement … and more.


Adoption, by the House, of these new rules proposed by the new conservative leadership is a good first step, but the test of success for the rules will be whether the House follows and enforces them. If the House avoids the temptation to waive the new restrictions from time to time for political convenience, the new rules will reflect a House more committed to conservative principles.





“Rock 'n’ roll is art, but it also means sex, so it’s just the perfect combination -- especially for the young teenage girl. I remember when Mick Jagger lit me up when I was 15, and I thought, 'OK, I want some of that.' [But] our relationship was purely sexual.”

Des Barres was motivated to log her experiences, and those of her pals, because she felt the word "groupie" had become something tawdry, especially as reality shows featuring rock stars looking for love in a house full of women looking for fame became the norm.

“For a real groupie/music lover, you’re not in it for money. You’re in it for the thrill of being with someone famous,” she said. “Sure, we loved the little bonuses. Being taken on the road, staying in really cool places, but the main joy was to be with this person. We all fell in love. There were relationships.”

Her cross-country journey took her to Utah to see Tura Satana, the woman who taught Elvis a few tricks in the boudoir; Seattle, where Robert Plant's muse Michele Overman resides; Chicago, the home of iconic groupie Cynthia Plaster Caster; California to meet Cassandra Peterson, who was a well-known groupie before becoming Elvira; and Arkansas, to visit the famous Connie Hamzy, known solely as “Sweet Connie.”



“Sweet, sweet Connie, doin’ her act / She had the whole show and that’s a natural fact,” Grand Funk Railroad sang in its song "We're an American Band."

Hamzy, unlike the other groupies, was never looking to build relationships. She was after sex, and she unabashedly shared intimate moments with virtually every rock star -- even their roadies -- who came through Arkansas.


“Look, we’re not hookers, we loved the glamour,” she clarifies in the film when pressed about her conquests. “We’re getting to hang with celebrities. I’m 55 years old, so I don’t do the things I used to. I don’t look the way I used to. There aren’t women who could do what me or Pamela does. How many songs on the radio have a gal's name in it?”

Sweet Connie never minces her words -- ever. She boasts that she’s bedded -- or serviced -- anywhere from 700 to 1,000 musicians and their crew guys. She says she still gets requests from bands, which she is happy to oblige. Though a lot of her anecdotes can't be printed in this publication, one of her favorite memories is of helping Don Henley join the "Mile High Club" -- with a little bit of help, albeit unexpected.

“I had my eyes closed, because that's what you do when you're making love, before feeling another set of hands on me and it was the pilot. Then I realized, who could be flying this thing? Don tells me not to worry, it’s on autopilot,” she said. “My only complaint is they didn’t ask me how I felt. I mean, it can’t be safe to put the plane on autopilot, can it?”

Hamzy admits she sometimes got attached to some of the stars, including Eddie Van Halen (she also had his brother, “but not at the same time,” she quickly points out).

“I think I let him slip through my hands. I did get attached to some of them. I feel in love with some of them. You build attachments,” she says before catching herself. “But it's pointless. They are here today, gone tomorrow.”

When pressed about relationships with married musicians, she lets out a hearty chuckle. “I was with some and their wives, at one point,  which I didn’t mind. Most of the times the wives detest me. But I will say if they think I’m the only one who’s ever done this with their husbands, then they are very naïve.”

Overman, who also dated a pre-Aerosmith Steven Tyler, puts it differently when she thinks of her teen years with Plant (ironically, they dated at the same time Des Barres was seeing another Zeppelin member, Jimmy Page).

“It was an instant attraction. And he was married, so you know, it didn’t last. But it lasted for three years. I just really liked him,” Overman said. “I really wanted a boyfriend. And when you’re that young, you kinda don’t think about the consequences of that sort of thing. You just think it’s all going to work out the way you want, and you will ride off into the sunset. But it didn’t.”

“Let’s Spend the Night Together: Confessions of Rock’s Greatest Groupies” airs Wednesday at 8:30 p.m. on VH1.


-- Gerrick D. Kennedy


twitter.com/gerrickkennedy


Photos: (Top left) Pamela Des Barres and Keith Moon.


(Top middle) Vintage Des Barres.


(Top right) The GTOs, a groupie group created by Des Barres that featured her, Linda Sue Parker, Lucy  McLaren, Christine Frka, Sandra Leano, Judith Edra Peters and Cynthia Cale-Binion.


(Middle left) Vintage Michele Overman.


(Middle right) Jimmy Page with Des Barres.


All photos courtesy of VH1.




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